Ducks: Two Years in the Oil Sands is a remarkable graphic novel by Katie Beaton, published by Drawn and Quarterly. This book has gained significant acclaim, being recognized as a New York Times Notable book and one of Barack Obama’s favorite reads of 2022. Additionally, it proudly won Canada Reads 2023! The story is not just a tale; it’s a profound exploration of loneliness, labor, and survival, as highlighted by Carmen Maria Machado, who describes it as “An exceptionally beautiful book.”

Set against the backdrop of a tight-knit seaside community in Cape Breton, specifically Mabou, the narrative follows Beaton’s journey as she seeks to pay off her student loans by heading west to Alberta during the oil rush. This journey reflects a long-standing tradition among East Coasters who often leave their beloved homeland in search of better employment opportunities. In her quest, Katie Beaton encounters the stark realities of life in the oil sands, where trauma is a common occurrence yet seldom discussed.

Beaton’s artistic talents shine as she skillfully illustrates the colossal machinery and massive vehicles that dominate the oil sands landscape. Against the stunning backdrop of Alberta’s wildlife, northern lights, and boreal forests, her artwork captures both the beauty and the harshness of this unique environment.

Ducks: Two Years in the Oil Sands is more than just a graphic narrative; it is an untold story of Canada itself. The country prides itself on its egalitarian ethos and breathtaking natural beauty, yet the book exposes the exploitation behind these ideals. Through Katie’s eyes, readers gain insight into the sacrifices made by those who venture into the oil sands, revealing the complexities of survival in a land rich with resources yet fraught with challenges.

This graphic novel serves as a powerful commentary on the societal and environmental issues tied to the oil industry, making it a must-read for anyone interested in understanding the balance between progress and preservation. It invites readers to reflect on the narratives of those who work tirelessly in these fields, often overlooked in larger conversations about labor and industry.

In conclusion, Ducks: Two Years in the Oil Sands is an essential addition to contemporary literature, offering a blend of personal narrative and broader social commentary. It encourages readers to engage with the realities of labor while appreciating the artistry embedded within its pages. Whether you are a fan of graphic novels or seeking to understand the intricacies of Canada’s oil industry, this book promises to leave a lasting impression.