The Comics Journal #302 stands as a monumental edition in the world of comics criticism, featuring a wealth of insightful content that caters to both avid fans and casual readers. This annual publication, renowned for its thorough and engaging explorations of the comic art form, has been a staple for enthusiasts for over 37 years. In this issue, we delve into the life and creative journey of Maurice Sendak, one of the most celebrated children’s book authors of the 20th and 21st centuries.

This edition showcases an intimate and extensive interview with Sendak, conducted by Gary Groth. In what is his longest published interview to date, Sendak reflects on a remarkable career that spans over six decades. He shares personal anecdotes about his childhood, the influence of his family, and the profound impact these experiences had on his artistic vision. The conversation also touches on themes of life and death, providing a candid look at the thoughts that have shaped his work. Furthermore, Sendak discusses his complex relationship with movies, revealing both his admiration and his critiques of the cinematic world.

Alongside these features, readers will find a roundtable discussion moderated by Michael Dooley, which includes notable figures such as Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson. This stimulating conversation investigates the intricate relationship between fine art and comics, showcasing how these two realms influence and inspire one another.

Moreover, Bob Levin conducts a fascinating investigation into the Keep on Truckin’ litigation, shedding light on the complexities surrounding this iconic comic strip. He also provides a biographical portrait of R. Crumb’s lawyer, Albert Morse, adding depth to the narrative of this influential figure in the comics community. Warren Bernard contributes a historical investigation into the 1954 Senate Subcommittee Hearing on Juvenile Delinquency, offering critical insights into how societal perceptions of comics have evolved.

This issue doesn’t just stop at discussions and interviews. It also features practical content, such as ‘How to Draw Buz Sawyer’ by the renowned newspaper cartoonist Roy Crane. This section includes a previously unpublished interview that further enriches the reader’s understanding of Crane’s work and artistic approach.

Readers will also be treated to comic works by Lewis Trondheim, now available in English for the first time. Additionally, Tim Kreider’s piece on Chester Brown provides an engaging analysis of Brown’s contributions to the comic genre. The issue presents a visual gallery featuring proto-comics, accompanied by insightful commentary that highlights the evolution of comic art over the years.

In conclusion, The Comics Journal #302 is not just a magazine; it is a rich, gigantic print compendium of critiques, interviews, and comics that captures the essence of comic art in its many forms. This edition promises to be as critically and commercially exciting as its predecessors, appealing to comics readers worldwide. With its engaging content and thoughtful discussions, it solidifies The Comics Journal’s status as the foremost critical magazine dedicated to the art of comics.