Description

Introducing Ho!, a compelling collection that showcases the unique and often controversial humor of Ivan Brunetti. This compilation features a vast array of Brunetti’s morally questionable and aesthetically confusing gag cartoons. The artist, known for his previous work such as Misery Loves Comedy and his editorial contributions to the essential Anthologies of Graphic Fiction, Cartoons and True Stories from Yale Press, aims to further cement his status as a “former cartoonist” with this intriguing collection.

Ho! gathers a significant portion of Brunetti’s works from previously out-of-print collections, including Hee! and Haw!, presenting them in a distinctively uninviting, funereal package. The choice of stark black and white aesthetics is deliberate, serving to keep the impressionable and faint-of-heart at bay. This artistic decision is not merely a stylistic preference but rather an invitation for only the bravest of hearts to engage with his humor.

For those who appreciate the darker side of comedy, Ho! offers a treasure trove of uncomfortable chuckles. The cartoons included in this collection are not designed to cater to mainstream sensibilities; instead, they challenge readers to confront their own boundaries of humor. Each page is filled with sharp wit and a touch of gallows humor, designed to provoke thought as much as laughter.

As you delve into the pages of Ho!, be prepared for a unique experience. The humor may not be for everyone, but those who dare to explore Brunetti’s world will find themselves engaged in a dialogue with the absurdities of life through his lens. This book is not just a read; it’s an encounter with the uncomfortable truths that often lie beneath the surface of our everyday existence.

Brunetti’s work pushes the boundaries of traditional cartooning, making a statement about the nature of humor and its role in society. By presenting his cartoons in a format that some may find off-putting, he effectively challenges readers to reconsider their perspectives on what is considered funny. This is not a collection for the faint-hearted, but rather for those who enjoy grappling with the complexities of morality through the lens of humor.

In conclusion, Ho! is a must-have for anyone who relishes dark humor and the art of satire. It serves as a reminder of the power of cartoons to provoke thought, laughter, and sometimes discomfort. Ivan Brunetti’s distinctive voice shines through in this collection, making it an essential addition to the library of any connoisseur of graphic fiction.